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The
Bionic Man Song
He's
my man.
Oh, he's my man.
Yeah, tell everybody about it,
Can't live without him . . .
One of a kind.
And he's my man . . .
Six Million Dollar Man
. . . and he's the man . . .
Six Million Dollar,
Six Million Dollar,
Six Million Dollar Man
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THE SIX
MILLION DOLLAR MAN
Stocky
beefcake Lee Majors (real name – wait for it –
Harvey Lee Yeary II, ha ha ha)
WAS Steve Austin, a spacecraft test pilot who
crashed a plane, losing both legs, an arm, and an eye.
He was subsequently rebuilt by one Dr Rudy Wells, using
advanced cybernetic parts, for the bargain price of just
six million dollars. The Six Million Dollar Man began
life as three 1973 TV movies based upon some
long-forgotten two dime novel, entitled Cyborg. Though
the movies were mercilessly Bond-esque, the ongoing
series – which hit screens in 1974 – played down the
secret agent and womanising aspects in favour of a more
straight action approach and, in later seasons,
ridiculous slapstick.
Few
can forget the legendary Six Million Dollar Man title
sequence, with its dramatic voice-over, and
disappointing emphasis on the non-dramatic word
‘better’, all courtesy of Steve’s boss, Oscar. It
ran as follows: “Steve Austin. Astronaut. A man barely
alive. We can rebuild him. We have the technology. We
can make him better than he was before. Better.
Stronger. Faster. Squintier than before. We shall make
him a slightly overweight, bronzed Adonis, with a funny,
lopsided mouth. A better mouth. Better. Better. Yes,
better. BETTER.”
Enlisted
by the US Military to be a sort of all-round action man,
Austin found himself in scrapes with foreign agents, a
robot which chased him down an alleyway, and even an
absurd-looking Bigfoot, who looked less like Darwin’s
evolutionary missing link, and more like some hideously
deformed perversion of nature. Or, more specifically,
Dave Lee Travis.
Austin’s
bionic parts granted him enhanced speed, strength (in
one arm at least, which must have come in handy, right,
lads? Eh! Eh? ), and vision. Ironically, the title
sequence footage of Austin’s crash was actual
real-life footage of a plane crash, in which the actual
real-life pilot really did lose an actual real-life eye.
Imagine how he felt watching himself burst into flame on
screen week after week, and then having to watch some
“bionic man” jump around on screen, targeting
distant objects with his super-vision, and never once
suffering the humiliation of people on the bus looking
at his eyepatch, or having his glass eye fall out into a
fish tank at a dinner party when he’s trying to
impress some chick in a black dress with a cleavage down
to HERE, and a split in her thigh up to HERE.
Perhaps
the most absurd aspect of the show was its use of
slow-motion. Whenever Steve used his strength or
super-speed, or jump over a big fence, or something, the
film would inexplicably SLOW DOWN, and be overlaid with
a creaking sound suggesting that Steve’s bionics were
in an advanced state of rusting. Why they couldn’t
have just increased the speed of the film to imply that
he was running at speed, is a mystery. However, it was a
technique which allowed millions of Bionic fans to
successfully emulate their hero, by moving very slowly,
and having ridiculous slow-motion fist-fights with
friends, while making a noise like this:
“Bwaaaaa-aaa-aaan-gggg!
Bwaaaaaaa-aaaaa-aaaaannnn-gggg!”
The
show’s success inevitably led to a spin-off, The
Bionic Woman. Lindsay Wagner played Jaime Sommers,
Austin’s girlfriend. Horribly disabled by a skydiving
accident (she had her ear ripped off, ferchrissakes! Was
her head impaled on a church steeple, or something?!),
she too was given bionic implants, and granted her own
show. Astonishingly, her performance won her an Emmy for
Outstanding Lead Actress In A Drama Series. Generally
more rubbish and ridiculous than its male counterpart,
The Bionic Woman did at least introduce a Bionic Dog,
and pioneered the term “Fembots” – lifted by
Austin Powers.
Both
shows lasted until 1978 – even surviving controversy
when several young fans deliberately tried to blind, or
eviscerate themselves in order to be given bionic parts
– but ultimately fell victim to falling ratings. A TV
movie, The Return Of The Six Million Dollar Man and
Bionic Woman, was intended as a 1987 pilot for a new
series, but failed to achieve the necessary audience.
Two subsequent movies, Bionic Showdown – starring a
young and drippy Sandra Bullock – and the inevitable,
but appallingly titled, Bionic Ever After (the Bionics
get married), were similarly bad enough to prevent
ongoing spin-offs.
For
many, the fondest memories of the Bionic phenomenon are
of the merchandising, specifically the Six Million
Dollar Man action figures. Dressed in an authentic red
tracksuit, with removable bionic components, a button on
the back which allowed Steve to lift the accompanying
car engine (as bizarre an action figure accessory as
there has ever been), and a funny eye-hole thing on the
rear of his head which, when looked through, made
everything appear really small (as rubbish and absurd in
its own way as the slow-motion superspeed of the TV
show). There was also an operating table accessory,
which transformed into a rocketship, allowing you to
recreate Steve’s near-fatal accident, and subsequent
rebuilding. However, the Bigfoot, Oscar Goldman (plus
authentically-recreated office!), and Bionic Woman
figures failed to make it to shops in any large
quantities, despite being tantalisingly promoted on the
packaging.
Following
Bionic Woman, we’re sure Lindsay Wagner had a long and
successful acting career, but right now we’re
struggling to name anything else she was in. Lee Majors,
however, went on to achieve some amount of acclaim among
the mentally subnormal in The Fall Guy, in which he
played Colt Seavers, a stuntman, and also sung the
soundtrack. Heather Locklear also starred. Wicked.
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The
Six Million Dollar Man
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